The Hunt
Chapter Four

The Hunt

Chapter Four

The Hunt

AFRICAN BUSH – DAY

VAST. HUMID. STILL.

Under a FEVER TREE, a LEOPARD lies nursing TWO CUBS.

The mother yawns — fangs gleaming — then rises, muscles

rippling. Hunger-driven.

She slips silently into ELEPHANT GRASS.

TALL GRASS – CONTINUOUS

PHINEOUS (30s) — powerful, lean, half-smiling — crouches

naked except for BUCK HIDE armor and TATTERED LOINCLOTH.

In his hand: a TINY BOW, crude ARROWS. A BONE-HANDLED KNIFE

at his waist.

He listens. Breath slow.

A FLASH OF GOLD in the grass.

He fixes an arrow. Lowers himself.

PHINEOUS (V.O.)

Control the heart. Control the

breath.

The leopard STOPS.

A SCENT SHIFT.

The leopard FREEZES — paw raised.

Phineous’ eyes widen.

PHINEOUS (V.O.)

She’s nursing.

The leopard SNARLS.

SPRINGS.

TIME SLOWS.

Phineous FIRES.

The arrow STRIKES the leopard’s shoulder — but momentum

carries her ONTO HIM.

They crash to the ground.

Silence.

Phineous lies utterly still.

The leopard hovers over him, confused. LICKS the arrow.

Then — she backs away.

Disappears into the grass.

Phineous exhales, trembling.

MANFRED DEXTER’S APARTMENT – NIGHT

MANFRED DEXTER (40s) pours a scotch. Smiles.

He presses PLAY on the ANSWERING MACHINE.

ALEX (V.O.)

(frantic, rushed)

Manfred— I need to get away. Fraud.

I took a backup disk—

Manfred’s smile dies.

He grabs the phone. Dials.

ENGAGED. Again. Nothing.

He calls OLIVER.

INTERCUT – MANFRED / OLIVER (PHONE)

MANFRED

Harding’s bolted.

OLIVER (V.O.)

Calm down. Stick to the plan.

MANFRED

He took evidence. A streaming disk.

A beat.

OLIVER (V.O.)

There is no evidence.

MANFRED

He sounded— scared.

OLIVER (V.O.)

Then let him be scared.

Click.

Manfred stares at the dead phone.

GOULDING SECURITIES – CEO OFFICE – DAY

ADRIAN GOULDING (60s) stands at the window, city sprawling

below.

Manfred sits opposite, stiff.

ADRIAN

A million’s one thing.

But betrayal?

He turns.

ADRIAN

Stick around town, Manfred.

We’ll sort this out.

Manfred forces a smile and leaves.

MANFRED’S OFFICE – NIGHT

Dark. Empty floor beyond glass walls.

Manfred stares at nothing.

Then — resolve.

He slips out.

COMPUTER ROOM – NIGHT

A lone OPERATOR works.

Manfred leans casually.

MANFRED

What exactly is a streaming tape?

The operator blinks.

OPERATOR

High-volume backup.

Saturday’s missing, actually.

Manfred pales.

OPERATOR (CONT’D)

Backups run just after midnight.

Manfred bolts.

ALEX’S APARTMENT BLOCK – NIGHT

Moonless. Quiet.

MANFRED DEXTER stands across the street, composed,

calculating.

Beside him, MICKEY (30s), squat, scarred, restless energy.

MANFRED

(MORE)

MANFRED (CONT'D)

(low)

Five minutes. No noise.

They cross the street and disappear inside.

ALEX’S APARTMENT – NIGHT

Dark. Still.

Manfred moves with surgical precision. Drawers. Desk.

Shelves.

Too neat. Too clean.

Frustration creeps in.

Then — the BED.

He lifts the mattress slightly.

A folded MAP slips out.

Manfred spreads it on the bed.

Handwritten notes. Fuel stops. Border crossings.

His eyes lock on one word.

SEROWE.

A flicker of satisfaction.

He photographs the map with a small camera.

Carefully refolds it. Replaces everything exactly as found.

He exhales.

MANFRED

Someone curious.

Someone desperate.

Someone disposable.

Mickey watches him.

MICKY

You thinking courier?

Manfred nods.

MANFRED

A backpacker.

Clean passport. No questions.

Mickey grins.

MICKY

Leave it with me.

DE BEERS STREET – DAY

Busy. Harsh sunlight.

HOLLY GARDNER moves through the crowd — BEADED DREADS, dusty

boots, heavy rucksack.

She pauses to give COINS to a BEGGAR WOMAN holding a CHILD.

A moment of humanity.

Behind her — MICKEY.

He bumps into her deliberately.

MICKY

Sorry—

His hand flashes low.

A quick SLICE.

Holly GASPS — spins — sees him sprinting away.

She chases instinctively.

He rounds a corner and vanishes, tossing her MONEY POUCH to

the pavement.

Holly grabs it. Light. Mostly empty.

She sinks against a wall, shaking — anger, fear, humiliation

mixing.

STREET CORNER BAR – MOMENTS LATER

Holly sits on the curb, trying to steady her breathing.

A SHADOW falls across her.

MANFRED

You alright?

She looks up. Wary. Vulnerable.

HOLLY

I just got robbed.

He offers a hand — not touching her yet.

The lie comes easily.

MANFRED

I'm Jack Wellington. There’s a bar

here. You look like you could use

water.

Or something stronger.

She hesitates. Then nods.

BAR – DAY

Crowded. Loud. Alive.

They sit at the bar. Drinks arrive.

Holly downs half of hers too fast.

MANFRED

Johannesburg chews people up.

Spits them out worse.

She studies him.

HOLLY

You local?

MANFRED

Passing through.

Work takes me north.

A beat.

MANFRED

Botswana.

Her interest flickers despite herself.

HOLLY

I heard it’s expensive.

MANFRED

Only if you stay in the wrong

places.

Serowe’s quiet. Honest.

Good place to disappear for a

while.

She looks at her drink.

HOLLY

Disappear sounds nice.

Manfred lets silence do the work.

Then —

MANFRED

I could help you with that.

She looks up sharply.

MANFRED

I need something delivered.

Rock samples.

Mining survey work.

He slides a SMALL ENVELOPE across the bar.

Not opening it. Not pushing.

MANFRED / JACK

There's some cash in the envelope.

You’d be paid more on arrival.

Enough to get settled.

No questions asked.

A long beat.

HOLLY

Why me?

MANFRED

Because you don’t look like someone

who belongs anywhere right now.

She exhales. Looks at the envelope. Then at him.

HOLLY

Where exactly?

MANFRED

Near Serowe. Details in the

envelope.

She nods slowly.

Fear. Hope. Distance.

HOLLY

(reluctant)

Okay.

Manfred smiles — warm, professional.

But his eyes are cold.

End of Chapter Four

1.

EXT. AFRICAN BUSH – DAY

VAST. HUMID. STILL.

Under a FEVER TREE, a LEOPARD lies nursing TWO CUBS.

The mother yawns — fangs gleaming — then rises, muscles

rippling. Hunger-driven.

She slips silently into ELEPHANT GRASS.

EXT. TALL GRASS – CONTINUOUS

PHINEOUS (30s) — powerful, lean, half-smiling — crouches

naked except for BUCK HIDE armor and TATTERED LOINCLOTH.

In his hand: a TINY BOW, crude ARROWS. A BONE-HANDLED KNIFE

at his waist.

He listens. Breath slow.

A FLASH OF GOLD in the grass.

He fixes an arrow. Lowers himself.

PHINEOUS (V.O.)

Control the heart. Control the

breath.

The leopard STOPS.

A SCENT SHIFT.

The leopard FREEZES — paw raised.

Phineous’ eyes widen.

PHINEOUS (V.O.)

She’s nursing.

The leopard SNARLS.

SPRINGS.

TIME SLOWS.

Phineous FIRES.

The arrow STRIKES the leopard’s shoulder — but momentum

carries her ONTO HIM.

They crash to the ground.

Silence.

Phineous lies utterly still.

The leopard hovers over him, confused. LICKS the arrow.

Then — she backs away.

Disappears into the grass.

Phineous exhales, trembling.

INT. MANFRED DEXTER’S APARTMENT – NIGHT

MANFRED DEXTER (40s) pours a scotch. Smiles.

He presses PLAY on the ANSWERING MACHINE.

ALEX (V.O.)

(frantic, rushed)

Manfred— I need to get away. Fraud.

I took a backup disk—

Manfred’s smile dies.

He grabs the phone. Dials.

ENGAGED. Again. Nothing.

He calls OLIVER.

INTERCUT – MANFRED / OLIVER (PHONE)

MANFRED

Harding’s bolted.

OLIVER (V.O.)

Calm down. Stick to the plan.

MANFRED

He took evidence. A streaming disk.

A beat.

OLIVER (V.O.)

There is no evidence.

MANFRED

He sounded— scared.

OLIVER (V.O.)

Then let him be scared.

Click.

Manfred stares at the dead phone.

INT. GOULDING SECURITIES – CEO OFFICE – DAY

ADRIAN GOULDING (60s) stands at the window, city sprawling

below.

Manfred sits opposite, stiff.

ADRIAN

A million’s one thing.

But betrayal?

He turns.

ADRIAN

Stick around town, Manfred.

We’ll sort this out.

Manfred forces a smile and leaves.

INT. MANFRED’S OFFICE – NIGHT

Dark. Empty floor beyond glass walls.

Manfred stares at nothing.

Then — resolve.

He slips out.

INT. COMPUTER ROOM – NIGHT

A lone OPERATOR works.

Manfred leans casually.

MANFRED

What exactly is a streaming tape?

The operator blinks.

OPERATOR

High-volume backup.

Saturday’s missing, actually.

Manfred pales.

OPERATOR (CONT’D)

Backups run just after midnight.

Manfred bolts.

EXT. ALEX’S APARTMENT BLOCK – NIGHT

Moonless. Quiet.

MANFRED DEXTER stands across the street, composed,

calculating.

Beside him, MICKEY (30s), squat, scarred, restless energy.

MANFRED

(MORE)

MANFRED (CONT'D)

(low)

Five minutes. No noise.

They cross the street and disappear inside.

INT. ALEX’S APARTMENT – NIGHT

Dark. Still.

Manfred moves with surgical precision. Drawers. Desk.

Shelves.

Too neat. Too clean.

Frustration creeps in.

Then — the BED.

He lifts the mattress slightly.

A folded MAP slips out.

Manfred spreads it on the bed.

Handwritten notes. Fuel stops. Border crossings.

His eyes lock on one word.

SEROWE.

A flicker of satisfaction.

He photographs the map with a small camera.

Carefully refolds it. Replaces everything exactly as found.

He exhales.

MANFRED

Someone curious.

Someone desperate.

Someone disposable.

Mickey watches him.

MICKY

You thinking courier?

Manfred nods.

MANFRED

A backpacker.

Clean passport. No questions.

Mickey grins.

MICKY

Leave it with me.

EXT. DE BEERS STREET – DAY

Busy. Harsh sunlight.

HOLLY GARDNER moves through the crowd — BEADED DREADS, dusty

boots, heavy rucksack.

She pauses to give COINS to a BEGGAR WOMAN holding a CHILD.

A moment of humanity.

Behind her — MICKEY.

He bumps into her deliberately.

MICKY

Sorry—

His hand flashes low.

A quick SLICE.

Holly GASPS — spins — sees him sprinting away.

She chases instinctively.

He rounds a corner and vanishes, tossing her MONEY POUCH to

the pavement.

Holly grabs it. Light. Mostly empty.

She sinks against a wall, shaking — anger, fear, humiliation

mixing.

EXT. STREET CORNER BAR – MOMENTS LATER

Holly sits on the curb, trying to steady her breathing.

A SHADOW falls across her.

MANFRED

You alright?

She looks up. Wary. Vulnerable.

HOLLY

I just got robbed.

He offers a hand — not touching her yet.

The lie comes easily.

MANFRED

I'm Jack Wellington. There’s a bar

here. You look like you could use

water.

Or something stronger.

She hesitates. Then nods.

INT. BAR – DAY

Crowded. Loud. Alive.

They sit at the bar. Drinks arrive.

Holly downs half of hers too fast.

MANFRED

Johannesburg chews people up.

Spits them out worse.

She studies him.

HOLLY

You local?

MANFRED

Passing through.

Work takes me north.

A beat.

MANFRED

Botswana.

Her interest flickers despite herself.

HOLLY

I heard it’s expensive.

MANFRED

Only if you stay in the wrong

places.

Serowe’s quiet. Honest.

Good place to disappear for a

while.

She looks at her drink.

HOLLY

Disappear sounds nice.

Manfred lets silence do the work.

Then —

MANFRED

I could help you with that.

She looks up sharply.

MANFRED

I need something delivered.

Rock samples.

Mining survey work.

He slides a SMALL ENVELOPE across the bar.

Not opening it. Not pushing.

MANFRED / JACK

There's some cash in the envelope.

You’d be paid more on arrival.

Enough to get settled.

No questions asked.

A long beat.

HOLLY

Why me?

MANFRED

Because you don’t look like someone

who belongs anywhere right now.

She exhales. Looks at the envelope. Then at him.

HOLLY

Where exactly?

MANFRED

Near Serowe. Details in the

envelope.

She nods slowly.

Fear. Hope. Distance.

HOLLY

(reluctant)

Okay.

Manfred smiles — warm, professional.

But his eyes are cold.