Growing Old in the Light

Growing Old in the Light

Growing Old in the Light

MICHAELS HOUSE
LIVING ROOM

Michael grabs the box off a shelf and sets it down on the

coffee table in front of him.

MICHAEL

Well baby she's off to Baylor, she

says she's going to be a curator

just like you.

Michael sighs and opens the box the display reads "4".

MICHAEL (CONT’D)

We were supposed to send her off

together.

Michael grabs the key, inserts it into the hole and turns it.

CUT TO:

ALISON'S OFFICE
Daytime

Alison sits in her office at the museum. Artifacts and

antiques are on the walls. She sits at her desk looking over

the box and the key, then pauses to make a note.

Michael KNOCKS on her open door, holding baby Caroline in his

arms. Alison looks at him and puts the key away, closes the

box, and pushes it to the side of the desk.

ALISON

Hey my loves!

MICHAEL

Hey momma, we wanted to stop by and

surprise you.

He points to the box on the desk.

MICHAEL (CONT’D)

What's that?

ALISON

That, is an artifact that we just

got in. It's called a Baruch box.

MICHAEL

What's a Baruch box?

Alison takes Caroline from Michaels arms. She answers Michael

but talks to Caroline in a playful, baby voice.

ALISON

(to Caroline)

It comes from an ancient tribe

known as the Baruch, yes it does.

And there's a lot of lore around

it, yes there is. Really

fascinating stuff, yes it is.

Alison kisses Michael. He eyes the box. Alison nuzzles

Caroline.

Frank knocks on the door, he walks in with some papers.

ALISON (CONT’D)

Come on in. Frank this is my

husband Michael.

(beat)

Frank is a conservator here at the

museum.

Frank and Michael shake hands.

FRANK

Nice to meet you.

MICHAEL

Same here.

Michael points to Alison.

MICHAEL (CONT’D)

She must keep you busy.

FRANK

She keeps things interesting that's

for sure.

(beat)

Anyways, I just wanted to drop

these off.

Frank puts the papers on Alison's desk.

FRANK (CONT’D)

Do you want me to take a look at

the Baruch box?

ALISON

Um, not right now, I'll bring it

over to your office a little later.

Frank nods and excuses himself. Alison returns her focus to

Caroline.

ALISON (CONT’D)

Hey sweatheart, are you having fun

with daddy today?

FADE OUT:

BEDROOM
Afternoon

Older Michael lays in his bed, with the box next to him

closed. Caroline is still holding his hand, Katie sits on the

edge of the bed.

The HOSPICE NURSE walks into the room.

HOSPICE NURSE

How ya doing Michael?

MICHAEL

(sighs)

I'm tired.

HOSPICE NURSE

Well why don't you get some rest.

CAROLINE

Yeah dad take a nap, we'll be right

out in the living room, we aren't

going anywhere.

Caroline leans over and kisses Michael on the cheek, Angela

and Ryan follow suit.

CAROLINE (CONT’D)

I love you, dad.

MICHAEL

I love you too, baby girl.

ANGELA

Love you grandpa.

MICHAEL

I love you too, sweetheart.

RYAN

Love you grandpa.

MICHAEL

I love you, buddy.

Caroline, Angela and Ryan makes their way to the door.

MICHAEL (CONT’D)

(to Katie)

Hey sweetheart.

He caresses her cheek, holds her chin, and looks her over.

MICHAEL (CONT’D)

You're a spitting image of your

grandma Alison. Did you know that?

KATIE

You tell me that everytime grandpa.

MICHAEL

Oh? Well then it must be true.

Nurse puts her arm around Katie and leans down next to her.

HOSPICE NURSE

Katie, why don't we let grandpa get

some rest. OK?

KATIE

Alright.

Katie kisses him on the cheek.

KATIE (CONT’D)

Bye grandpa.

MICHAEL

I'll see you later, sweetheart.

Katie walks out of the room, pausing to look one more time at

her grandpa from the doorway.

HOSPICE NURSE

Can I get anything for you? Some

fresh water or anything?

MICHAEL

No, I'm fine thank you.

The nurse reaches down for the box. Michael puts his hand on

top of it stopping her.

MICHAEL (CONT’D)

You can leave it.

HOSPICE NURSE

Alright. I'll be right out there if

you need anything.

Michael nods to her. She exits the room, and shuts off the

light on her way out. A bedside lamp illuminates Michael and

the box.

He places the box on his lap and opens it, pulls pictures out

and lays them off to the side. Michael reaches in and pulls

out the key and looks at it one more time. The display shows

"1", Michael puts the key into the hole and turns it.

FLASHBACK TO:

PARK
Afternoon

Alison (30’s) sits on a blanket underneath a shade tree.

There is a picnic basket with finger foods, and fried

chicken. Alison smiles at him and they kiss.

MICHAEL

You know what?

ALISON

What?

MICHAEL

From the moment I laid eyes on you

I knew I was going to marry you.

ALISON

So you don’t regret it.

MICHAEL

Not for a million years.

ALISON

Good, cause you don’t have a choice.

Michael pushes the hair away from her forehead as he caresses

the side of her face.

MICHAEL

Let's do this forever.

ALISON

I’m game.

MICHAEL

I don’t ever want to be without you.

ALISON

You never will be.

Michael smiles at her and they kiss.

BACK TO PRESENT

BEDROOM
Daytime (Later)

Michael lays in his bed, the box rests open on his lap, the

display shows "0". The pictures and letters are at his side.

Michael has a smile on his face, he exhales one long last

time and his body relaxes.

Katie stands in the doorway looking in. She walks into the

room quietly and stops along side the bed.

KATIE

(whispers)

Grandpa?

She closes the lid on the box and picks it up. Sits on the

chair next to the bed, rests it on her lap and re-opens it.

Inside of the box, the key is in its place and the display

reads "10". She picks up the key and looks at it, puts the

key in the hole and turns it.

CUT TO BLACK:

KATIE (V.O.)

(excited)

Grandpa!

ROLL CREDITS

— ③

1.

INT. MICHAELS HOUSE - LIVING ROOM -

Michael grabs the box off a shelf and sets it down on the

coffee table in front of him.

MICHAEL

Well baby she's off to Baylor, she

says she's going to be a curator

just like you.

Michael sighs and opens the box the display reads "4".

MICHAEL (CONT’D)

We were supposed to send her off

together.

Michael grabs the key, inserts it into the hole and turns it.

CUT TO:

INT. ALISON'S OFFICE - DAY -

Alison sits in her office at the museum. Artifacts and

antiques are on the walls. She sits at her desk looking over

the box and the key, then pauses to make a note.

Michael KNOCKS on her open door, holding baby Caroline in his

arms. Alison looks at him and puts the key away, closes the

box, and pushes it to the side of the desk.

ALISON

Hey my loves!

MICHAEL

Hey momma, we wanted to stop by and

surprise you.

He points to the box on the desk.

MICHAEL (CONT’D)

What's that?

ALISON

That, is an artifact that we just

got in. It's called a Baruch box.

MICHAEL

What's a Baruch box?

Alison takes Caroline from Michaels arms. She answers Michael

but talks to Caroline in a playful, baby voice.

ALISON

(to Caroline)

It comes from an ancient tribe

known as the Baruch, yes it does.

And there's a lot of lore around

it, yes there is. Really

fascinating stuff, yes it is.

Alison kisses Michael. He eyes the box. Alison nuzzles

Caroline.

Frank knocks on the door, he walks in with some papers.

ALISON (CONT’D)

Come on in. Frank this is my

husband Michael.

(beat)

Frank is a conservator here at the

museum.

Frank and Michael shake hands.

FRANK

Nice to meet you.

MICHAEL

Same here.

Michael points to Alison.

MICHAEL (CONT’D)

She must keep you busy.

FRANK

She keeps things interesting that's

for sure.

(beat)

Anyways, I just wanted to drop

these off.

Frank puts the papers on Alison's desk.

FRANK (CONT’D)

Do you want me to take a look at

the Baruch box?

ALISON

Um, not right now, I'll bring it

over to your office a little later.

Frank nods and excuses himself. Alison returns her focus to

Caroline.

ALISON (CONT’D)

Hey sweatheart, are you having fun

with daddy today?

FADE OUT:

INT. BEDROOM - AFTERNOON -

Older Michael lays in his bed, with the box next to him

closed. Caroline is still holding his hand, Katie sits on the

edge of the bed.

The HOSPICE NURSE walks into the room.

HOSPICE NURSE

How ya doing Michael?

MICHAEL

(sighs)

I'm tired.

HOSPICE NURSE

Well why don't you get some rest.

CAROLINE

Yeah dad take a nap, we'll be right

out in the living room, we aren't

going anywhere.

Caroline leans over and kisses Michael on the cheek, Angela

and Ryan follow suit.

CAROLINE (CONT’D)

I love you, dad.

MICHAEL

I love you too, baby girl.

ANGELA

Love you grandpa.

MICHAEL

I love you too, sweetheart.

RYAN

Love you grandpa.

MICHAEL

I love you, buddy.

Caroline, Angela and Ryan makes their way to the door.

MICHAEL (CONT’D)

(to Katie)

Hey sweetheart.

He caresses her cheek, holds her chin, and looks her over.

MICHAEL (CONT’D)

You're a spitting image of your

grandma Alison. Did you know that?

KATIE

You tell me that everytime grandpa.

MICHAEL

Oh? Well then it must be true.

Nurse puts her arm around Katie and leans down next to her.

HOSPICE NURSE

Katie, why don't we let grandpa get

some rest. OK?

KATIE

Alright.

Katie kisses him on the cheek.

KATIE (CONT’D)

Bye grandpa.

MICHAEL

I'll see you later, sweetheart.

Katie walks out of the room, pausing to look one more time at

her grandpa from the doorway.

HOSPICE NURSE

Can I get anything for you? Some

fresh water or anything?

MICHAEL

No, I'm fine thank you.

The nurse reaches down for the box. Michael puts his hand on

top of it stopping her.

MICHAEL (CONT’D)

You can leave it.

HOSPICE NURSE

Alright. I'll be right out there if

you need anything.

Michael nods to her. She exits the room, and shuts off the

light on her way out. A bedside lamp illuminates Michael and

the box.

He places the box on his lap and opens it, pulls pictures out

and lays them off to the side. Michael reaches in and pulls

out the key and looks at it one more time. The display shows

"1", Michael puts the key into the hole and turns it.

FLASHBACK TO:

INT. PARK - AFTERNOON -

Alison (30’s) sits on a blanket underneath a shade tree.

There is a picnic basket with finger foods, and fried

chicken. Alison smiles at him and they kiss.

MICHAEL

You know what?

ALISON

What?

MICHAEL

From the moment I laid eyes on you

I knew I was going to marry you.

ALISON

So you don’t regret it.

MICHAEL

Not for a million years.

ALISON

Good, cause you don’t have a choice.

Michael pushes the hair away from her forehead as he caresses

the side of her face.

MICHAEL

Let's do this forever.

ALISON

I’m game.

MICHAEL

I don’t ever want to be without you.

ALISON

You never will be.

Michael smiles at her and they kiss.

BACK TO PRESENT

INT. BEDROOM - DAY (LATER) -

Michael lays in his bed, the box rests open on his lap, the

display shows "0". The pictures and letters are at his side.

Michael has a smile on his face, he exhales one long last

time and his body relaxes.

Katie stands in the doorway looking in. She walks into the

room quietly and stops along side the bed.

KATIE

(whispers)

Grandpa?

She closes the lid on the box and picks it up. Sits on the

chair next to the bed, rests it on her lap and re-opens it.

Inside of the box, the key is in its place and the display

reads "10". She picks up the key and looks at it, puts the

key in the hole and turns it.

CUT TO BLACK:

KATIE (V.O.)

(excited)

Grandpa!

ROLL CREDITS